Dress Code

Comment of the day, Paintings

When I paint people a personality behind the faces emerge. Unintentionally a little story tells me why and what I need to include or exclude in a painting. I tend to exclude more than I include but even so, in my head I have the full story.

The Swedish summer this year was cold. My sleeveless dress on the closet door was ready to be worn but it waited in vain. The few hot summer days we had I managed to be away at even colder places.

The dress never got used. But it did give me an idea to do some paintings. Can you tell a personality of the owner of a dress by the way I paint it? By approaching the tree canvases in different manners I aimed to show a personality behind it.

From left to right: Order or Chaos. Life is simple. It is what it is.

Size 92×73 cm. Mixed media on canvas. Deep edge.

Ordningochkaos

Order or chaos. Mixed media on canvas. 92×73 cm. Deep edge.

Livetärenkelt

Life is simple. Mixed media on canvas. 92×73 cm. Deep edge.

Detärsomdetär

It is what it is. Mixed media on canvas. 92×73 cm. Deep edge.

When I paint people a personality behind the faces emerge. Unintentionally a little story tells me why and what I need to include or exclude in a painting. I tend to exclude more than I include but even so, in my head I have the full story.

The Swedish summer this year was cold. My sleeveless dress on the closet door was ready to be worn but it waited in vain. The few hot summer days we had I managed to be away at even colder places.

The dress never got used. But it did give me an idea to do some paintings. Can you tell a personality of the owner of a dress by the way I paint it? By approaching the tree canvases in different manners I aimed to show a personality behind it.

From left to right: Order or Chaos. Life is simple. It is what it is.

Size 92×73 cm. Mixed media on canvas. Deep edge.

I was left alone …

Comment of the day, Paintings

… with my thoughts.

I am a slow thinker. Not mainly because I don’t have the capacity to think fast. It is just a little crowded in there so each new spark of a thought has a hell of a job to get to the finish line. And when that happens everybody left and I have no one to share my thoughts with.

Title of painting: I was left alone, and thought that I first and foremost should find out where _ _ _ _ was going. (Oil on canvas, 40x40cm)

Jagsattensamkvar

What’s the weather got to do with it?

Comment of the day, Paintings
novembermorgon

Morning of November. Oil on canvas. 45x45cm

Pitch black outside the window. Daytime, grey sky. The nature vaugely showing of a distinct color. The cold air leaving skin and lips in a pale purple tone. Everything outside is turned down.

So what do I paint? Lavish green landscape with bright red flowers and orange, yellow flower buds full of promise! Colors madly running over the canvas.

Nope.

I paint what I am in.

The dark.

And enjoying it. There is a huge variety of values to be found in a toned down painting. As most swedes do when the dark season is over us we go inside and so do my manner of painting. It is still life.

IS SAD ART BAD BUSINESS?

Comment of the day

Hemmakväll

Det finns dagar som är allt annat än ljusa och fantastiska. Det kan vara sol ute men mörkt inne, det kan vara kul på utsidan men deppigt på insidan, det kan vara full fart ute men inne har allt stängts ner. Idag var en sådan dag. Deppigt värre. Nu målar jag damer i vanliga fall men att låta penslarna forma fram en glad och uppsluppen kvinna är inte tal om. Är då denna bara för mig? Är ledsen konst något man känner igen sig i men inte köper och hänger upp i sitt hem? Att denna har ett värde för mig är självklart, både i själva görandet och även som målning. Men har den ett sämre marknadsvärde? Är ledsen konst svårare att sälja?

There are days that don’t shine at all. It can be sunny outside but inside it is dark and gloomy, it can be fun outside but depressing on the inside, it can be action outside but stillness inside. Just a day like that. I paint a lot of ladies but a day that is “that kind of day”, it is not possible to let my brushes shape anything fun and joyful. Is this art then just for me? Is “sad” art something people feel connected with but never would by and hang on their own walls?  This painting has of course a value for me, both in the making of it and also as a finished piece. But does it have a value on the market? Not necessarily this one, but as a whole. Is sad art bad business?

VERNISSAGEDAG

Uncategorized

vernissage

Vernissagedagen bjöd på skön augustivärme i och runt Galleri Hantverket på Södermalm. Blommor i vaser och blommor och träd på målningar, ansikten och människor i olja och ansikten och kroppar i sin verkliga form. En dag där Kvinnligt och Sinnligt fick frodas och en dag när mötet mellan konst och människor kändes hur naturligt som helst.

Opening day of Art Show. Flowers, trees and people on canvas and in glass. Flowers and people on the floor. A totally natural way of getting people and art together. So much fun. Thank you.

Sommar i stan

Comment of the day

Sommarateljeblw

Sommarateljé i stan, så perfekt. Ingen kö på favoritfiken, ingen stress på gatorna och gångtempot präglas av turisternas karttittande lunk. Bra läge för fokusering och kreativ koncentration.

Summerstudio in the city. So perfect. No lines at my favorite coffeeshop, no stress on the streets and people has cooled down their walking pace, inspired by tourists look-at-map-stroll-around-the-city-tempo. A good time for focused work and creative concentration.

Back to Basics

Paintings

Kol, brunt omslagspapper och stilleben. Ibland är det befriande att slippa välja färg, kombinera och blanda. Utan bara titta och rita, det man ser och inte ser. Det blir snett och vint. Teckning i nuet, utan krav på ett färdigt resultat. Resultatet ligger i seendet och tecknandet.

Backtobasics

No color, a still life, charcoal and cheap brown paper. No result, just a practice, a practice to see – and draw. Mindful creation.